WAVES

Když mistři zvuku nejvýznamnějších filmových děl potřebují rozsáhlou sadu nástrojů pro mixování prostorového 5.1 zvuku, obracejí se na Waves 360° Surround Tools.

Balíček Broadcast & Production obsahuje kromě uznávaných procesorů Renaissance Maxx, Masters a Restoration také limitéry, kompresory, ekvalizéry, filtry, nástroje pro odstranění hluku, reverby, vylepšení basů, de-essing a nástroje pro zpracování hlasu.

Průmyslový standard mezi broadcast audio pluginy pro TV, rádio, film a webcasting: redukce hluku, měřeni hlasitosti a mixování prostorového zvuku včetně up a downmixingu.

Balíček Diamond je pro všechny, kdo potřebuje rozsáhlý set nástrojů pro zpracování audia. Integruje balíčky Waves Platinum, Restoration a Transform. S balíčkem Diamond dostanete například Q-Clone, Tune LT, L3 Multimaximizer a IR-L Convolution Reverb.

Balíček Horizon je ideální pro hudební produkci a to od startu až po finále. Obsahuje více než 70 pluginů, ve kterých najdete ty pravé nástroje pro každý krok kreativního procesu. Pomocí univerzálních nástrojů balíčku Horizon doladíte váš mix.

Přes 45 pluginů pro živé zvučení pokrývající vše od ekvalizace, reverbů a modulace po kompresi, gate a limitaci. Waves Live Bundle poskytuje veškeré nástroje, které potřebujete mít při ruce na jakémkoliv pódiu.

Více než 150 hvězdných pluginů a přes 400 komponentů. Mercury je nejkomplexnější Waves balíček všech dob!

Výjimečná kolekce 50 nejpoužívanějších audio pluginů. Od dynamiky, ekvalizace a reverbu po pitch korekci, prostorové zvýraznění, harmonická vylepšení a další. Balíček Platinum je ideální pro sound design, mixování, mastering a další aplikace.

Balíček Pro Show obsahuje přes 120 SoundGrid kompatibilních pluginů, včetně balíčku Essentials, SSL4000 Collection, CLA Classic Compressors, JJP Analog Legends, API Collection a dalších.

Speciální dvojitá licence s podporou dvojitého zrcadleného enginu. Balíček SD7 Pro Show obsahuje celý Pro show balíček s více než 120 SoundGrid kompatibilními pluginy pro živé míchání na konzolích DiGiCo SD7.

Balíček Waves Studio Classics Collection seskupuje nejúspěšnější emulace API, SSL a klasik inspirovaných Rupertem Nevem.

Náš tip

Kompaktní a přenosná DSP jednotka, která umožňující převzít na sebe veškerou zátěž spojenou s výpočty pluginů Waves ať už ve studiu, nebo při živém zvučení.

State-of-the-art modeling of the four legendary reverb plates housed at Abbey Road Studios and used on recordings by the Beatles, Pink Floyd and Radiohead.

Dopřejte své hudbě tradiční hřejivý zvuk vinylových nahrávek přehrávaných na klasických gramofonech s přenoskou pomocí precizně vymodelovaného vybavení pro přehrávání gramofonových desek používaných v Abbey Road Studios.

Modeled on one of only a few tube-powered units ever made, the Waves Aphex Vintage Aural Exciter® plugin delivers all the unique character of the rare original hardware unit, with all the advantages of software.

The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting.

Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal and repeatable equalization at 15 points in 5 steps of boost, divided into three overlapping ranges.

Based on the 1967 classic, the API 560 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning.

AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plugin. With equalization, gating, and compression, it’s ideal for multimedia, voiceovers, project studios, and more.

Bass Rider is an innovative, easy-to-use plugin that rides bass levels automatically. A companion to our popular Vocal Rider plugin, Bass Rider delivers perfect bass levels, without changing the natural sound of your bass.

Long favored by studio, live and broadcast engineers, the BSS® DPR-402 dynamics processor is known for its punch, versatility, and the explosive sound it delivered on countless rock, dance and hip-hop hits since the 80s.

Widely considered one of the most influential rock producers of recent decades, Butch Vig helped spawn an entirely new rock genre.

With compression, expansion, gating, and equalization, the C1 is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

With its flexible channel coupling and grouping, the C360° Surround Compressor delivers state-of-the-art soft knee compression, engineered especially for high resolution 5.1 Surround production.

A multiband dynamics processing powerhouse, the C4 does it all: Four bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ.

For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well.

Ideal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else.

Chris Lord-Alge on CLA Bass: “From sub-shaking smooth sounds to Mr. Buzzsaw, CLA Bass is just what the doctor ordered. The plugin was designed to help you lay down a solid foundation for any song. It gives you six essential effects: bass, treble, compression, sub, distortion, and chorus/flange.

Chris Lord-Alge on CLA Drums: “One of my favorite activities is to work on drums. When creating the CLA Drums plugin, I had one thing in mind: Anyone who uses it can get a great drum sound for any song and any mix and just have fun!

Multi-effect plugin that delivers the radio-ready sound of Grammy-winning mixer Chris Lord-Alge (Green Day, U2): reverb, delay, distortion, EQ and more.

Chris Lord-Alge on CLA Guitars: “Two words describe the CLA Guitars plugin: Instant Gratification. Every time I plug in my axe, I just can’t stop playing! It delivers the guitar sounds I’ve used on tracks from Green Day to Daughtry, quickly and easily.

Chris Lord-Alge on CLA Unplugged: “CLA Unplugged is a dream box of reverb effects plus great hi-res EQ and compression for complex sounds. I always loved the Aerosmith ‘Dream On’ vocal reverb with the really long pre-delay.

Chris Lord-Alge on CLA Vocals: “The most important part of any song is the vocals. The CLA Vocals plugin makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain.

Chris Lord-Alge on CLA Vocals: “The most important part of any song is the vocals. The CLA Vocals plugin makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain.

Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original’s smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals.

Based on the early ‘70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned.

Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 (“Blacky” and “Bluey”) offer the superfast attack (as quick as 50 microseconds!) that made the originals studio legends.

HARMONICS – A NEW LEVEL OF MUSICALITY AND CONTROL

HARMONICS Cobalt Saphira is an advanced harmonics shaping tool for mixing and mastering that lets you add rich harmonics to your tracks in order to give them analog musicality, depth and „glue.“

Waves Codex is a cutting-edge polyphonic synthesizer based on an advanced granular wavetable engine and powered by Waves’ Virtual Voltage technology.

Considered one of the best drum compressors ever, the original dbx® 160 stands tall among its peers, boasting a very clean sound with minimum THD.

Singers insist on breathing – even when it spoils a perfectly good take! With DeBreath, you can truly take their breath away. DeBreath uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath.

When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

The Waves Dorrough Meter Collection (Stereo) features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, these meters provide precision loudness monitoring for all stereo audio scenarios.

Waves Dorrough Surround includes customized meters engineered especially for surround production environments, as well as all meters included in the Stereo edition of the Waves Dorrough Meter Collection.

When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

Developed under license from DTS®, this plugin suite converts mono audio sources into stereo content, which can then be turned into 5.1 or 7.1 surround.

Developed under license from DTS®, this plugin processes 5.1 or 7.1 surround content into a 2-channel stereo mix, accurately representing placement across the soundscape as intended by the content creator.

Developed under license from DTS®, this plugin lets broadcast, post-production and mix engineers convert stereo audio to quad, 5.1 and 7.1 surround, as well as 5.1 to 7.1 surround, in cases where original source elements for standard upmixing are not available in the desired multichannel format.

Automatically controls the gains of multiple mics in real time. Ideal for live news panels, talk shows, and any scenario involving multiple participants.

Dugan Speech is the definitive solution for television news and discussion panels, talk shows, faith-based services and events, film and TV dialog recording, conferences, and any other event involving several microphones and participants.

Eddie Kramer on the Bass Channel: “The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes.

Eddie Kramer on the Drum Channel: “The Drum Channel plugin really captures the essence of my drum sounds.

Eddie Kramer on the Effects Channel: “For the Effects Channel plugin, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture.

Eddie Kramer on the Guitar Channel: “The Guitar Channel plugin features settings for lead guitars and two types of rhythm guitars.

Eddie Kramer on the Vocal Channel: “When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other.

Precise sampling of the classic 200-model electric piano featured on classics by Stevie Wonder, Marvin Gaye and Queen, with effects, compressor and amp added.

Get the soul and character of a unique electric piano, sampled to capture the nuances of the original vintage instrument, with effects, compressor and amp added.

Faithfully sampled from the classic electric grand piano which defined 80s pop, rock and R&B hits by Elton John, Peter Gabriel, Herbie Hancock plus many more, and served electronic music innovators from Vangelis to the present.

Element 2.0 is an analog-style polyphonic instrument designed to deliver the fat, warm sounds of classic analog synths, with all the precision, flexibility and control of a cutting-edge software instrument.

Waves and Abbey Road Studios bring to life the legendary TG12345, the first-ever solid-state console from EMI which epitomized the sound evolution of the late '60s and early '70s and helped shape groundbreaking recordings by the Beatles, Pink Floyd, and many others.

Waves and Abbey Road Studios bring to life the legendary TG12345, the first-ever solid-state console from EMI which epitomized the sound evolution of the late '60s and early '70s and helped shape groundbreaking recordings by the Beatles, Pink Floyd, and many others.

5-in-1 Multi-Dynamics with Parallel Detection

The first plugin to use Waves’ groundbreaking Parallel Detection technology, Waves eMo D5 delivers the power of five state-of-the-art dynamics processors—Gate, Leveler, DeEsser, Compressor and Limiter—in one easy-to-use interface.

eMo F2 is an 18-dB high-pass/low-pass filter optimized for live performances.

An intuitive signal generator plugin that can be used on its own or as part of the eMotion LV1 live mixer.

eMo Generator can generate three signal types:

The eMo Q4 EQ plugin is a highly practical and convenient 4-band paragraphic equalizer. It can be used either on its own or as part of the eMotion LV1 live mixer channel strip.

Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

Waves GEQ is a full-featured graphic equalizer plugin with both Classic and Modern mono and stereo components, featuring 30 ISO bands plus high and low pass filters, a high precision floating parametric EQ bell filter, and a real-time analyzer.

Like a sleek Italian sports car, the Fazioli F228 model was engineered from the finest Italian parts and craftsmanship, taking its wood from the same red spruce forest where Antonio Stradivari cultivated his rare and celebrated violins.

Put a finishing touch on your mix with this easy-to-use plugin, developed with producer, songwriter and mixer Greg Wells (Adele, Katy Perry, OneRepublic).

Get access to the piano and keyboard mixing techniques perfected by producer, songwriter and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic).

Add rich analog tone to individual tracks or entire mixes, in the studio or live, with this musical harmonic enhancer developed with Greg Wells based on his favorite pieces of analog gear.

Get quick access to the signature vocal sound of Greg Wells, producer, songwriter and mixing engineer for Adele, Katy Perry and OneRepublic.

Inspired by legendary amplifiers from Fender® Marshall®, Mesa/Boogie®, Vox® and others, GTR3 brings you the very best vintage and contemporary amps – in the box!

From Distortion, Doubler and Delay to Flanger, Phaser, Fuzz and more, GTR3 Stomps give you everything you need to customize your tone. With features like sync-to-host BPM and real-time MIDI control, it’s never been easier to dial up your sound.

Waves GTR ToolRack features virtual guitar amps, cabs, and effects that can run as a plugin in your DAW or as a standalone application for real-time processing.

The Waves GTR Tuner is a chromatic tuner that can be set to Standard, Alternate, and Chromatic tunings.

H-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day.

From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.

H-EQ is a uniquely powerful hybrid equalizer, featuring vintage and modern EQ inspired by the finest British and American consoles; seven different filter types per band, including a newly-developed, one-of-a-kind asymmetrical bell filter; an intuitive keyboard graphic that lets you choose frequ

New technologies open new creative horizons. H-Reverb is a pioneering FIR reverb based on innovative Finite Impulse Response reverberation technology, providing richer, deeper reverb tails that sit beautifully in the mix while breathing crisp air into your tracks.

Using patented psycho-acoustic dithering and noise shaping technology, IDR360° reduces the bit-depth of Multi-channel and 5.1 Surround audio with unparalleled clarity and resolution.

Created with leading electronic music duo Infected Mushroom, Pusher is an innovative multiband sonic enhancer and limiter/clipper that delivers Infected Mushroom’s “secret mixing sauce.”

The ultimate phase correction plugin for phase shift treatment, phase alignment and complex phase manipulation tasks, InPhase is the tool for all phasing issues.

InPhase LT is a special edition of InPhase which is available as part of selected bundles or separately as a single plugin.

When you need to recreate the authentic sound of actual acoustic spaces, there is no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

Waves IR-Live is an impulse response-based convolution reverb designed with the live sound engineer in mind, but sure to find a home in the studio as well.

Wembley Arena. Grand Ole Opry. Sydney Opera House. CBGB’s. Birdland. Want to record in the world’s greatest venues? Now you can. IR1 puts the meticulously captured sound of these and many other renowned spaces in your hands.

Major motion pictures in 5.1 Surround require spatial emulation that is 100% believable. Only the astonishing accuracy and complete control of convolution reverb will do. That’s why top sound engineers choose Waves IR360.

Waves and Abbey Road Studios present the J37 tape saturation plugin, a precision model of the very machine used to record many of the greatest masterpieces in modern music.

Jack Joseph Puig on JJP Bass: “Every track is different. And every bass track is different. Sometimes you want just a great bottom; other times you want something with more mid-range that cuts through a mix. You may want to give it a bit of distortion, give it an edge.

Jack Joseph Puig on JJP Cymbals & Percussion: “There’s really so much you can do with cymbals and percussion. You can use some lo-fi effect to fatten up shakers.

Jack Joseph Puig on JJP Guitars: “I approach the guitar as a sound designer, and try to use the whole sonic palette: Make it brighter, darker, more aggressive, compress it, bring out the attack, whatever—to give it attitude.

Jack Joseph Puig on JJP Strings & Keys: “When I’m dealing with strings and keyboard parts, in general I want them to be radiant and beautiful. I want to shape the tonality to fit what the song needs to be, so when it comes out of the speaker, it’s on another level.

Jack Joseph Puig on JJP Vocals: “When I mix a vocal, my approach is intuitive and instinctive, not technical. I don’t think in terms of ‘which delay’ or ‘how to EQ it’ or ‘more compression’ or whatever. What concerns me is how it makes you feel.

Developed in association with legendary producer/engineer Eddie Kramer, the HLS Channel was meticulously modeled on a Helios mixing console just like the one he used in historic sessions at London’s acclaimed Olympic Studios.

Developed in association with Eddie Kramer, the Kramer Master Tape plugin is modeled on a rare vintage 1/4" reel-to-reel machine.

Developed in association with legendary producer/engineer Eddie Kramer, the PIE Compressor was precision-modeled on a vintage Pye compressor like the ones he used in historic sessions at London’s acclaimed Olympic Studios.

The plugin that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful plugin. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

The L3 Ultramaximizer is a special edition of the L3 Multimaximizer which is included with selected bundles and with the L3 Multimaximizer itself. It delivers the same great sound as the L3 Multimaximizer, using an intuitive, streamlined interface.

Presenting the most advanced member of Waves’ acclaimed L-Series: the L3–16 Multimaximizer, a 16-band peak limiter delivering unparalleled loudness with unprecedented control.

Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument.

Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument.

Based on the legendary Waves L1 and L2 Ultramaximizers, the L360° delivers multichannel brickwall peak limiting, dithering, and noise shaping for the ultimate Surround experience. The audience won’t know what hit them!

Conceived and created especially for Surround and 5.1 mixing applications, the LFE360° lets you filter and enhance the LFE channel with fine-tune precision. Get ready for earth-shaking lows that will rock your Surround environment!

Conceived and created with mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

Originally created for sound design and post-production, and strongly embraced by studio and live mix engineers, the LoAir subharmonic generator plugin features two adjustable low-frequency processors for shaping your ultra-low end.

When you’re doing Surround sound design or mixing, you need flawless satellite and subwoofer monitoring. For 5.1 studio calibration and bass management, the M360° Surround Manager and M360° Surround Mixdown plugins are indispensable for achieving the perfect placement, balance, and spread.

Manny Marroquin on the MM Delay: “Delay is all about depth. It’s one of the key elements in almost every mix I do. Plus, it enhances the groove, and creates layers of sound which can make a mix more exciting and multi-dimensional.

Manny Marroquin on the MM Distortion: “One of the things I also love is distortion. Whether or not it’s audible, sometimes I just want to feel it. By adding just a touch of it, it will help get me that. And I’m not just talking just about guitars, either.

Manny Marroquin on the MM EQ: “When I sit down to do a mix, and I’m looking to do some creative equalization, as opposed to doing some ‘clean up,’ I always seem to end up reaching for the same frequencies.

Manny Marroquin on the MM Reverb: “For my Reverb plugin, we modeled the very best reverbs in my room, 18 of my favorites: Six different reverbs, with three different room sizes for each.

Manny Marroquin on the MM Tone Shaper: “Parallel compression plays a huge part in my mixing technique. It adds richness and really brings out the full character of almost any sound and helps different elements stand out within a mix.

Manny Marroquin on the MM Triple D: “Getting rid of “boxy” sound, harshness and sibilance can take a lot of work – if you want to do it right, which means not EQing things out and carving certain frequency ranges completely out of your signal.

Tony Maserati on the ACG Acoustic Guitar Designer: “The ACG is a comprehensive tool to help gain ultimate control and energy boost from a variety of acoustic guitar types. The ‘ACG 1’ setting allows you to maximize level and sculpt your top and bottom.

Tony Maserati on the B72 Bass Phattener: “The B72 actually has two distinct starting places. I’ve worked on a large variety of music for my artists, and there’s never just one sound or one preset.

Tony Maserati on the DRM Drum Slammer: “The DRM was designed to help the excitement of percussive transients get heard through mixes which are thick with instrumentation and vocals. Whether on programmed or live drums, DRM is a great starting point for your mix.”

Tony Maserati on the GRP Group Processor: “The Maserati GRP plugin is meant to help that final blend jump out a bit. It’s got a nice bit of equalization involved but no effects, no shredders, none of that kind of thing.

Tony Maserati on the GTi Guitar Toner: “The GTi was created with all the different guitar players I’ve admired in mind.

Tony Maserati on the HMX Harmonics Generator: “In ‘Modal’ mode, the HMX will make your piano wide, with just the right amount of chorus effect, to give it life on a vocal demo, or raise your Wurlitzer’s presence, for some ethereal magic.

Tony Maserati on the VX1 Vocal Enhancer: “The VX1 is a compact package for full vocal control, whether you need to squeeze the most emotion out subtle performance or engulf it in a room with a full band production. This plugin has all the processing you need for Vocals.

When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound.

The very first plugin of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool.

There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation – until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

Taking the classic sound of the original Vocoder synthesizer to new heights, Morphoder lets you combine different audio signals to create wild, unique sounds never before heard, with unmatched clarify and definition.

With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.

MV360° is the ultimate dual function dynamics processor for 5.0 and 5.1 surround applications. With six channels of low level and high level compression, plus nine versatile Link Modes, the MV360° is the simplest, most flexible way to control your surround sound dynamics.

Waves, together with three of today's top producer / engineers, is proud to present the NLS Non-Linear Summer: Three legendary consoles – in one powerful plugin.

The „magical“ solid state console belonging to Mark ´Spike´ Stent (Björk, Muse, Maroon 5, Madonna).

The most intuitive professional noise suppression plugin ever created, Waves NS1 Noise Suppressor intelligently differentiates between dialog and unwanted noise.

Want to create great mixes but don’t have an acoustically perfect room? This plugin recreates the acoustics of a high-end studio inside your headphones, so you can make great mixing decisions anytime, anywhere.

An intelligent treble booster that adds brightness from the mid-high range on up, Brighter is perfect for brightening up a track or make it cut through the mix.

Inspired by famous guitar overdrive pedals, Driver is capable of everything from light overdrive to full-on distortion. But it’s not just for guitars; it sounds great as an effect for vocals, piano, synths, drums, bass and more.

From the mixing room to the DJ booth, Filter is a powerful sweepable filter with switchable Resonance modes, perfect for full mixes, loops, analog synths and more.

Using a combination of peak limiting and low-level compression with automatic makeup, Louder effectively makes tracks louder, increasing RMS by up to 24 dB.

Phatter is a bass booster that provides a quick way to add bottom, weight and body to bass, keys, kick drums and vocals alike, to thicken them in the mix.

Designed for achieving an instant ducking effect, OneKnob Pumper simulates sidechain compression, saving you the need to route the kick track to the sidechain input of a compressor.

Easy-to-use reverb plugin: add instant depth and dimension to any track by turning just one knob. The quick solution for bigger vocals, drums and more.

Easy-to-use reverb plugin: add instant depth and dimension to any track by turning just one knob. The quick solution for bigger vocals, drums and more.

Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and peak/RMS levels.

PSE lets you reduce stage bleed and sensitivity to feedback when a mic is idle by automatically lowering mic levels between musical phrases. Perfect for live sound and for mixing live recordings.

Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for mono-to-stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound.

The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf.

There’s nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites.

The world’s very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog equalizers, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

Today’s Surround environments deliver new levels of depth and expression; R360° ups the ante, giving you unmatched realism with unprecedented real-time control.

London's Abbey Road Studios were at the epicenter of a seismic shift that rocked the world of music during the 1960s, and changed the course of popular culture forever.

Waves/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking.

Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly.

Renaissance Bass delivers richer, deeper lows that sound great on any system. Using Waves patented MaxxBass® psycho-acoustic technology, Renaissance Bass makes tightening up the low end easier than ever, thanks to its simple, intuitive controls.

This channel strip plugin combines EQ, compression, limiting, and gating in one convenient interface. A complete audio mixing chain that quickly delivers a clear, warm, open sound without requiring multiple plugins.

This multi-purpose compressor delivers musical results on any vocal or instrument, including drums, bass and guitar. Warm and present, yet as transparent as you want it to be.

Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source.

Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile paragraphic EQ with warm, analog-style sound.

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.

A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

A passive equalizer with powerful sound-shaping capabilities, the RS56 Universal Tone Control was originally introduced in the early 1950s and used in Abbey Road Studios to prepare recordings for the record-lathe, as part of the process we now know as “mastering.” Later, Abbey Road’s pop enginee

Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

Surround technology presents exciting new sonic possibilities that go way beyond stereo. Take advantage of these sound opportunities with the S360°, engineered for the precise manipulation of imaging, distance panning, and spatial enhancement for surround sound.

The Waves Scheps 73 is a colorful 3-band EQ modeled on the classic 1073 console's EQ and mic preamp module and developed in association with world-renowned mixing engineer Andrew Scheps (Adele, Red Hot Chili Peppers, Black Sabbath, Lana Del Ray, Metallica, Jay-Z.)

Discover new tone shaping possibilities with the signature sound of Grammy®-winning producer/engineer Andrew Scheps (Red Hot Chili Peppers, Adele, Metallica, Jay Z, Black Sabbath, Lana Del Rey).

Add smack and bite to drums, loops, synth hits and all percussive sounds by designing the level, shape and duration of their transients’ attack and sustain – from surgical tweaks to savage effects.

The world’s most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity.

The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your computer.

The power of the complete Solid State Logic SL 4000 console series is now at your fingertips with the SSL G-Channel, a plugin that consolidates the equalization and dynamic controls of the SSL G-Series consoles into one convenient tool.

This four-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a pre-boost dip and a pre-cut rise, as well as a broader Q for more extreme equalization.

Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.

StudioRack lets you run up to 8 plugins on just one insert, save chain presets, open them on any DAW, or monitor in low latency via a SoundGrid server.

Sub Align is a must-have survival tool for any live sound engineer. This plugin lets FOH engineers align subwoofer and top speakers in PA systems where the subs are tied in with the tops, and the system processor is inaccessible.

Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

Used exclusively by the royal family for speeches on momentous occasions, each of these three priceless microphones dating back to the 1920s and 1930s was tailored and tuned especially for its specific user: King George V, King George VI, and Queen Elizabeth.

Perfect for breathing new life into drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics, Trans-X is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.

Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multispeaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.

Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records.

Combining the best characteristics from two of the world’s most desirable console modules, the 1066 and 1073, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering.

Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters.

Waves Vitamin is a multiband harmonic enhancer and tone-shaping plugin that can make any track sound powerful and full of spark by mixing an enriched version with the original signal.

A true timesaver, this plugin adjusts your vocal levels automatically, saving you the need to draw each level change in your DAW or manually ride faders.

Ambient noise: Hiss. Hum. Traffic. Wind. Air conditioning. They can all wreak havoc on dialog tracks. With Waves W43, they’re a thing of the past.

Auto-tuning has never been easier or more precise. The ultimate pitch correction tool, for perfectly tuned natural-sounding vocals or creative effects.

Waves Tune LT is a special edition of Waves Tune which is available as part of selected bundles or separately as a single plugin. It delivers the same great sound as Waves Tune, using an intuitive interface and simplified controls.

A dream tool that helps vocalists stay in tune while singing, feel confident, and focus on the emotion of their performance, in the studio or live on stage.

The Waves WLM Plus Loudness Meter plugin provides precision loudness measurement, metering, correction and adjustment tools for broadcast, movie trailers, games, packaged media and more.

WNS Waves Noise Suppressor is a real-time noise reduction plugin for cleaning dialog tracks.

Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.

X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

X-FDBK identifies the precise frequencies that cause feedback and surgically cuts them, dramatically shortening the setup time of monitors and PA speakers.

Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.

With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.

Hiss happens. So does ground hum, computer noise, and any number of unwanted sonic artifacts. Bring on Z-Noise, and hear them disappear.

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